Contents
Cultural Criticism (includes music, literature, art)
Aparicio, Frances R.
Bailey, Cameron & Sylvie Fortin
- The Night Has A Thousand Eyes
- "This abudantly illustrated publication looks at three new installations by Montreal artist Ramona Ramlochand and British artist Keith Piper, created for an exhibition at the Ottawa Art Gallery and circulated to Oakville Galleries, the Art Gallery of Windsor and the Contemporary Art Gallery, Vancouver. Fortin addresses the artists' exploration of the complex relationships between bodies, subjectivities, space, architecture, technology, power and knowledge by focussing on the metaphors of travel and urbanity present in their work. Bailey's text relies on the personal narrative to explore the intersection of race, the body and technology. "
Baker, Houston
Antonio Benitez-Rojo
Brathwaite, Kamau
Campbell, Jeremy
- Grammatical Man
- "A great book... that focuses on the comparative realms of langauge and digital code. In a sense, the notion of African versus non african forms of digital consciousness, to me at least, is a relative moot point: all HUMAN consciousness has elements of these methods of organizing itself as it unfolds out into the world. Whether its the indian systems of songs that were first systematically analyzed and turned into song codes by Panini long ago, or the drum patterns of yoruba and ibo people that one finds resonances in contemporary electronic music culture - there are correspondences. Any attempt to limit the narrative to historic accidents of geography limits the discussion and paves the way for all of the "real world" pathologies that one finds so prevalent in discussions of African American culture." [Paul Miller (aka DJ Spooky)]
Chuck D., et al
Cooper, Carolyn
Corbett, John
DuBois, W.E.B.
Gates, Henry Louis, Jr.
Gilroy, Paul
Harris, Wilson
- History, Fable and Myth in the Caribbean and Guianas
- Selected Essays of Wilson Harris : The Unfinished Genesis of the Imagination
- "He's a difficult writer, politically because he doesn't serve the race in any kind of simple way.... And formally ... Harris is full of a hell of a lot of passive constructions and bewildering narrative double-backs. Check-out Jonestown for examples of this. Still, the brother has been striving to imagine a future of the Americas longer than most of us have been alive and he anticipated the "end of the innocent black subject" and the postructuralist turn in contemporary black cultural politics before the birth of Black Power and the translation of On Grammatology.
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- There's an excellent essay on him in Nathaniel Mackey's collection Discrepant Engagement and Antonio Benitez-Rojo discusses him in The Repeating Island. I'm slowly making my way to all the Dutch and Australian writing on him (why dey love him so?). Not much from this hemisphere, from futurists or anyone else." [Peter Hudson]
Hurston, Zora Neale
Locke, Alain
McGee, Patrick
Mackey, Nathaniel
Mingus, Charles
Murray, Albert
O'Grady, Lorraine
Pelton, Robert D.
Perkins, William Eric
Potter, Russell A.
Reed, Ishmael
Rose, Tricia
Stovall, Tyler
Tate, Greg
- Flyboy in the Buttermilk: Essays on Contemporary America
Thiongo, Ngugi Wa
Tricky
Cyberculture, Science Fiction & Technology
Alkalimat, Abdul
Battle, Stafford & Rey O. Harris
Benton Foundation
Berger, Maurice
Bowen, Gary
Bowen, Michael
Brillo editorial board
Bukatman, Scott
Cultural Survival Quarterly
Davis, Eric
- Davis, Erik
- "The Collectable Unconscious"
- "Since I mentioned the old-school reading of our FX culture (ie, as delusionary escapism) with the Hoberman Voice piece, it's only fair to also mention the new-school reading of it (ie, as return to mythic consciousness). There's a Matrix/Star Wars piece, or riff if you like, by Erik Davis in FEED; starts off by recounting a sighting of a Darth Vader doll amidst an art exhibit dealing with Haitian Voudou..." [Ben Williams]
- Techgnosis : Myth, Magic, + Mysticism in the Age of Information
Delany, Samuel
Dery, Mark (ed.)
Disch, Thomas M.
- The Dreams Our Stuff Is Made Of
- "As Thomas M. Disch says: 'in the distorting mirror of fantasy, Aliens are Us [whites] by the same dark logic that equates Dr. Jekyll with Mr. Hyde. In the marketing of pop culture, there is little distinction between monsters of supernatural horror and monsters from outer space: Dracula, King Kong, the creature from the Black Lagoon, the denizens of Jurassic Park, and the Giger-inspired aliens of Alien all derive their scariness not so much from their fangs and feral natures as from their resemblance to that scariest monster of all, the Being in the Black Mirror.' Disch uses the notion of this "Being" to expose the underpinnings of alot of the themes that we are dealing with in this symposium--in real life. Fear of the other, fear of different takes on contemporary reality, viral contagion of ideas and cellular information, etc etc etc all point to a plac where the imangination in the 20th century has created some of the most strange engagement with ideas we've seen for centuries." [Paul Miller (aka DJ Spooky)]
Gaiter, Leonce
Gajjala, Radhika
Gómez-Peña, Guillermo
Hall, Martin
Hannemyr, Gisle
- "Technology and Pleasure: Considering Hacking Constructive"
- "If you feel that black invention and re-purposing of technology and our knack for creating synergistic cultural repercussions might have something to do with our afrofuturistics, diiiiig this... The essay talks about hacker ethics and contrasts them with corporate ethics. All our black inventors were hackers." [David Goldberg (aka Mr. Bollweevil)]
Jafa, Arthur
Kaku, Michio
Lockard, Joe
Lichtman, Judy
Lillie, Jonathan
Mason, Eleanor R.
Nakamura, Lisa
Novak, Thomas P. & Donna Hoffman
Nichols, Nichelle
NTIA (National Telecommunications & Information Administration)
Oguibe, Olu
PANOS
Peterson, James
Plant, Sadie
Powell, John A.
Rammellzee
Sallis, James (ed.)
Schön, Donald, et al
Serexhe, Bernard
Sinker, Mark
Slusser, George E.
Stephens, C.P.
Stites, Janet
Tal, Kalí
Walton, Anthony
Weedman, Jane
Zipp, Sandy
Zurawski, Nils
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